Catalogue Raisonné
P57.016
Oil on paper mounted on panel
24¾ x 36 in.
62.9 x 91.4 cm
Signed front lower right: Philip Guston
- Provenance
- Museu Colecção Berardo
- Auction: Sotheby's New York, Contemporary Art, Part II, May 2, 1995, Lot 10
- IBM International Foundation
- Private Collection, Midwest
- Robert Scull, New York
- Exhibitions
- Sotheby Parke Bernet Inc., New York, NY, "A Selection of Fifty Works from the collection of Robert C. Scull", October 12, 1973 - October 18, 1973
- IBM Gallery of Science and Art, New York, NY, "50 Years of Collecting Art at IBM", September 12, 1989 - November 25, 1989
- Sintra Museum of Modern Art, Sintra, Portugal, "The Berardo Collection", May 17, 1997 - August 31, 1997
- Centro Cultural de Belem (CCB), Lisbon, Portugal, "Coleccao Berardo Collection 1917-1999", January 27, 2000 - August 27, 2000
- Centro Andaluz de Arte Contemporaneo, Seville, Spain, "Los Excesos de la Mente", May 29, 2002 - September 22, 2002
- Sintra Museum of Modern Art, Sintra, Portugal, "The Berardo Collection - A Voyage through the 20th Century", December 04, 2004 - April 30, 2005
- Centro das Artes Casa das Mudas, Calheta, Portugal, "Contemporary Painters in the Berardo Collection", May 28, 2005 - August 28, 2005
- Museu Colecção Berardo Arte Moderna e Contemporanea, Lisbon, Portugal, "Não Te Posso Ver Nem Pintado", September 15, 2008 - April 26, 2009
- Acquavella Galleries, Inc., New York, NY, "Robert & Ethel Scull: Portrait of a Collection", April 13, 2010 - May 27, 2010
- Bibliography
- A Selection of Fifty Works from the Collection of Robert C. Scull. Exh. cat. New York: Sotheby Parke Bernet, inc., 1973, illus. in color no. 12
- The Berardo Collection—Sintra Museum of Modern Art. Sintra: Sintra Museu de Arte Moderna—Colecção Berardo, 1996.
- Coleção Berardo Collection 1917–1999. Belém: CCB–Centro Cultural de Belém, 2000.
- Centro Andaluz de Arts, Contemporaneo. Los excesos de la mente. Exh. cat. Sevilla: Empresa Publica de Gestion de Programas Culturales, 2002,
- Coleção Berardo 1909-2019. Lisbon: Museu Coleção Berardo, 2022, cat. no. 161, illus. in color p. 282
