1996
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Patterson, Tom. "Exhibit at Reynolda House explores the development of modernism." Winston-Salem Journal, January 21, 1996, p. E4.
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Kilian, Michael. "Bi-Coastal Debuts: Cartoons in Boca Raton, Contemporary Artt in San Diego." Chicago Tribune, March 10, 1996.
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Kimmelman, Michael. "The Abstract Expressionist of Music." The New York Times, July 28, 1996, section 2 Arts & Leisure, p. 28.
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Grant, Daniel. "The tricky art of authentication Truth: Sometimes, only the artist or his or her family knows for sure whether a work is the real thing." Baltimore Sun, September 29, 1996. Online.
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Kimmelman, Michael. "Philip Guston: Paintings from the 70s." The New York Times, October 11, 1996, p. C32.
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Wolff, Detlef. "Die Freiräume der letzten Schaffensjahre." Weser Kurier (Bremen), October 19, 1996.
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Komm, Sabine. "Maler brechen mit Sehgewohnheiten." Oldenburger Nordwest-Zeitung (Oldenburg, DE), October 25, 1996.
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Bremer Anzeiger (Bremen). "In vollkommener Freiheit..., Ausstellung um Picasso, Guston, Miro und de Kooning im Neuem Museum Weserburg." October 26, 1996.
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Beßling, Rainer. "Völlig frei und for Themselves." Kreiszeitung (Stuhr-Weyer, DE), November 6, 1996.
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Levin, Kim. "Art Short List: Philip Guston." Village Voice, November 12, 1996.
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Luddemann, Stefan. "Die Avantgarde der Greise." Neue Osnabrucker Zeitung, November 18, 1996.
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Iowa City Press-Citizen. "De Kooning Work Sells for $15 Million, Sets 1996 Record." November 21, 1996.
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Vogel, Carol. "'Woman' Tops Year's Art Sales." Daily Press (Newport News), November 24, 1996.
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Winter, Peter. "Schwung, Volumen und Dichte: Vier Maler mit ihrem Spatwerk in der Bremer Weserburg: Picasso, Miro, de Kooning und Guston." Frankfurter Allgemeine Zeitung (Frankfurt am Main), November 25, 1996, section Feuilleton, p. 35.
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Stachelhaus, Heiner. "Die Krise des Alters malend gemeistert: Das Weserburg-Museum konfrontiert Zeitgenossisches mit dem Spatwerk von vier Klassikerr." Die Welt (Berlin), November 29, 1996.
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St. Galler Tagblatt (St. Gallen, CH). "Ein Feuer in der Finsternis." November 30, 1996.
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Schmidt-Missner, Jürgen. "Mit dem Alter wächst die Freiheit: Spätwerke der Moderne im Weserburg-Museum Bremen." Hannoversche Allgemeine Zeitung (Hanover), December 2, 1996.
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Bode, Ursula. "Alte Männer Sind gefahrlich: Das Spätwerk von Guston, de Kooning, Miro und Picasso in Bremen." Die Zeit (Hamburg), December 19, 1996.
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Stachelhaus, Heiner. "Die Krise des Alters malend gemeistert: das Weserburg-Museum konfrontiert Zeitgenossisches mit dem Spatwerk von view Klassikern." St. Galler Tagblatt (St. Gallen, CH), 1996.