Brach, Paul. "A New Non-Objective Guston Poses Questions of Degree." Art Digest, January 1, 1952, p. 18.
S[eckler], D[orothy]. "Reviews and Previews." ARTnews, January 1952, p. 44.
Chanin, A. L. "Controversial Show by Philip Guston." New York Compass, January 6, 1952, p. 24.
Devree, Howard. "A Modern Veteran: Marin at 82 More Than Holds His Place With Recent Oils and Water-Colors; Veins of Abstraction."The New York Times, January 6, 1952, p. 9.
Burrows, Carlyle. "Art Review: Contrasting Types in Guston, Leonid." New York Herald Tribune, January 6, 1952.
Time. "One Explanation." January 7, 1952, p. 56.
Thibaut, Jr., Richard E. "Woodstock News: Critic Comments On Style Change by Philip Guston." Kingston Daily Freeman, January 10, 1952.
The New York Times. "4 Art Shows Here Have Wide Appeal: Peridot Associates Display Work—Israel Landscapes, Nudes, Shells on View." March 1, 1952.
Louchheim, Aline B. "Muralists Display Varied Paintings: Architectural League Awards Honorable Mentions to Miro, Conway and Tobias." The New York Times, March 21, 1952.
S. P. "Avant Garde Art Is Exhibited Here: 2 Group Shows by Americans and Work of Contemporary French Painter on View." The New York Times, April 26, 1952.
The New York Times. "1857 Studios Here May Soon Be Razed: Apartments Due to Supplant Greenwich Village Quarters of Many Noted Artists." August 24, 1952.
Worcester Art Museum, News Bulletin
and Calendar. "Painters' Choice: An Exhibition of Contemporary American Pictures Selected by Their Makers." November 1952.
Expressionism in American Painting. Exh. cat. Buffalo: Albright Art Gallery, 1952.
Regards sur la Peinture Americaine. Exh. cat. Paris: Galerie de France, 1952.
Seckler, Dorothy. "Philip Guston." ARTnews, 1952.
Contemporary American Painting and Sculpture Collection of Mr. and Mrs. Roy R. Neuberger. Exh. cat. Minneapolis: Walker Art Center, 1952.
Nebraska Art Association Sixty-Second Annual Exhibition. Exh. cat. Lincoln: University of Nebraska, 1952.
1952 Annual Exhibition Sculpture, Watercolors, and Drawings. Exh. cat. New York: Whitney Museum of American Art, 1952.